比起那些用“命定邂逅”或“惊天反转”来包装的爱情片，《夹缝中活着，小春》更愿意把镜头对准深夜便利店过期便当前的犹豫、廉租房隔音墙外邻居的咳嗽声。导演葛里华几乎放弃了配乐，让角色在沉默里把“夹缝感”演透：宫泽冰鱼把那种欲言又止的窘迫化作眼底的闪躲，小西樱子一个弯腰捡硬币的镜头，就让你看到爱情是如何在一地鸡毛里偷偷生长的。细田善彦与平井亚门的配角线同样以“未完成”状态收束，拒绝传统治愈。影片大量采用固定机位与狭窄构图，将主人公小春的居住环境——逼仄的出租屋、深夜便利店、深夜巴士站——转化为情感压抑的物理映射，让“夹缝”不再只是比喻。为了找到日记主人，她遇见了在路边为宠物拍遗照的摄影师（宫泽冰鱼 饰）。剧情也没啥狗血反转，就是两个人在生存压力下互相取暖，又怕耽误对方，特别戳人。

　　Haru, a struggling magazine editor, meets the painter Toru during research for one of her articles. Toru is autistic and straightforward in expressing his thoughts. Haru is drawn to his honesty, and a deep emotional bond forms between the two despite their different personalities. Director Rika KATSU sensitively portrays their unusual relationship.
　　源自：https://db.nipponconnection.com/en/event/1367/spring-in-between

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